Showing posts with label Canon. Show all posts
Showing posts with label Canon. Show all posts

Tuesday, September 20, 2011

Vincent Laforet is Uber

I've started to follow Vincent Laforet after I saw his interview on Twit Photo podcast.  I'm hooked.  Even though he got his start as a photographer he's migrated to video.  He has 2 videos I really am amazed with.  The first is Reverie, and this one, Nocturne.  And to think these are shot with a DSLR, OK it's a Canon, but still a DSLR.

This stuff is uber.  I know what I'm going to try for my next project!!



Monday, May 9, 2011

Conspiracy Theory - There Were 3 Shooters

I know, lame title, but this past weekend I did something I haven't done before.  That was participate in a wedding photoshoot with 3 photographers.  That's right, 3.  The cool thing for the lucky wedding couple is that they got all 3 of us for the price of one.  It's really amazing how much easier it is to shoot a wedding with more than a single shooter, and even better than 2.  The downside of course is that you have to split the $$$, but hey, I don't do this for a living.  I've got a day job.

One tip, plan well in advance when you have multiple shooters.  We did this before the shoot and it worked out great.  We arranged what we were shooting, and where to position ourselves.  We also took turns directing the couple and their entourage.  We also took advantage of taking similar shots from different angles which will present interesting images.  Finally, split the type of shot you plan to take.  We did this by agreeing which lenses each of us were using.  The number one shooter used a Canon 70-200 F/2.8 as his prime weapon of choice.  I used, as second shooter, a Tokina 12-24mm F/4 on one Nikon and a Nikkor 24-70mm F/2.8 on a second Nikon.  The 3rd shooter, used a longer prime on her Canon.  Note to self - I'm still trying to figure out the best way to carry 2 camera bodies without looking like a complete dork but getting maximum flexibility.  I just purchased a BlackRiver dual strap...I'll give that a go.

It was an interesing experience, and I'll post photos of the lovely couple once we get through the post processing and deliver the goods.

Monday, April 18, 2011

What Type of Photographer Are You

Occasionally, a friend or business colleague will ask me what type of camera they should buy or what accessory they should invest in. This is a good question that I could talk on all day. I always tell them, a) I’m a Nikon shooter, so my answers are bias, b) I’m not a professional, so you get the advice you pay for, and c) “What type of photographer are you”?

The last point is absolutely the most important component to consider. Knowing what type of photographer you are, or more importantly, what do you want to do with your photography will HIGHLY influence your buying decision. I have found there are 4 types of photographers, which will influence the type of kit they should consider. Here we go!

The Social Mediaite – OK, I made that up, but this photographer is mainly focused on capturing the moment. This may be a photo of a friend during a dinner out, a party, a bar scene, etc. A social mediaite is not particularly interested in composition, perfect lighting, or general post processing. This type of photographer is more interested in keeping a record of an event or moment to share or post online whether on Facebook, Twitter, on a blog or sending it via email.

For this type of photographer a good smartphone camera is the way to go. Many smartphones have good cameras, and they are complimented with a large array of camera apps. Except for your phone and apps no additional accessories are required. Bottomline, get a great smartphone camera. Personally, I use my IPhone when I take this type of photo.

The Casual Shooter – This type of photographer is interested in taking a wide range of images, and generally wants good output. Whether it is a photo of their pet, a vacation, family, an event, etc. the concept of quality starts kicking in. However, there is no intention of spending lots of money or getting over their head with features or accessories they will never use. This type of photographer also wants something they can carry in their pocket, purse, backpack, etc. For this type of photographer a point-and-shoot camera is the way to go. Today there are some GREAT point-and-shoot cameras in all price ranges with a wide range of features including video. I find the choices are crazy and there are many different manufactures from the 2 big, Nikon & Canon to Panasonic, Sony, etc. etc. A great feature with P&S cameras is that you can use full auto or start to experiment in scene settings or settings such as aperture priority, speed priority, and other camera options.

The main difference in a casual shooter versus the social mediaite is you need to start considering post processing or at minimum an off camera storage. Most people simply dump their images into their computer and use either the computer’s supplied post processing software or a freebie like Google’s Picasa. At this stage be careful, don’t overbuy. Get yourself a good point and shoot and fire away.

Photography Is Becoming an Obsession – type shooter. Like many hobbies or pursuits, photography can become addicting. And once she has you hooked she can be a bitch. We are now talking about someone who wants to take photographs for the art itself, or wants to take their basic photography to the next level. This type shooter is interested in photography and is willing in learning or knows about the principles of photography. They either know or will learn about composition, lighting, shadows, color caste, etc. They either had a camera before, have a P&S, or want to upgrade what they currently have. This level covers everything from those just making the move into an obsession all the way to advance amateurs.

We are now entering the realm of the digital single lens reflex camera. The DSLR. The kings in the realm are Nikon & Canon. There are several other brands of DSLR, but most photographers I know use either a Nikon or Canon. As I mentioned I am a Nikon shooter.

The advantage of the DSLR is flexibility & options available. Flexibility in controls, accessories and most importantly lenses (which can be the most expensive component of the DSLR stage). I’ve found that once you get serious about photography you need to get serious about your kit. Ultimately a great photographer can take a great shot with a low end camera, but for most of us the flexibility of the DSLR gives us the freedom to expand our photos.

From my experience there are 5 disadvantages to DSLR’s for those just advancing to this level. They are: 1) getting more camera / lenses than what you really need, 2) the cost ($1,000 minimum on average), 3) not as portable, 4) getting locked into one camera system, and 5) post processing is a key ingredient. You need to take all 5 of these into consideration BEFORE you make the move to DSLR’s.

Bottomline, if photography is or is becoming an obsession then the DSLR is the only way to go.

Finally, The Pro. Note: if you are a pro you wouldn’t be the type of person asking for my advice. However, for the rest of us Pros are photographers that do it for a living, or partial living. DSLRs rule supreme for pros, although they all carry a point and shoot or camera phone as well for immediacy. Some might even be seen with medium format cameras! In almost all cases a professional photographer is aware of their skills, knows about the factors that make a good image, know their market and have the kit. Lots of photographers think simply because they have a DSLR, fancy lenses and accessories that they are pros, but don’t fool yourself. Simply having a DSLR doesn’t make a photographer a pro.
In my experience the professional photographers that I know have extremely good equipment, is the knowledge of what the client wants, a good sense of business, excellent workflow, and a track record. Bottomline, in I think a good professional photographer is as good on the business side as they are on the photography side.

Bottomline, whatever type of photographer you are, just get out there and shoot. Before you know it, you’ll be hooked.

Monday, March 21, 2011

The .666 Factor

For photographers, “666”, this isn’t the sign of the devil, it’s a number to know when you are buying a lens or planning a photoshoot with your DSLR. You may not realize it but the focal length of your lens isn’t always what is advertised.

The 0.666 factor comes into play if you have a DX style camera. That’s a camera (both Canon and Nikon) with an APS-C sensor. Most entry level & advance amateur DSLR’s tote an APS-C sensor. An APS-C sensor is 66.6% the size than old school 35mm film – remember film? Although most people, at least the photographers I know, shoot digital the industry still uses the 35mm film size as the standard when calculating focal length for lenses.

Now, what does this mean for those photographers with an APS-C sensor DSLR? It means your 50mm F/1.8 lens actually has approximately a 75mm focal length. Your 18-70mm kit lens is actually a 27-105mm.

In many cases this is a good thing. It gives you extra reach with your lens. A mid-range zoom becomes quite long on the far end. However, it also means your wide angle lens isn’t so wide angle.

The simplest way to figure it out is to divide the focal length of your lens (again this only applies to an APS-C sensor DSLR, a DX camera in Nikon speak) by 0.666. Examples of a few common lens focal lengths:

Primes
  • 28mm = 42mm
  • 35mm = 52mm
  • 50mm = 75mm
  • 60mm = 90mm
  • 85mm = 128mm

 Zooms  

  • 18-55mm = 27-83mm
  • 18-135mm = 27-202mm
  • 24-70mm = 36-105mm

Of course, if you want to avoid all this then get a “full-frame” or FX camera. These are cameras with sensors whose size is equivalent to 35mm film. I won’t get into a discussion about which sensor is better, but at minimum you can expect to pay more for an FX camera than a DX camera. OK, personally I think an FX is better.

It should be noted many lenses are classified as “digital” and therefore are tuned for an APS-C sensor. Also, some lenses are considered a full-frame lens. I’ve used these types of lenses interchangeably, but a purest will likely call me out for the evils of my ways.

So remember, when purchasing a lens or planning your photoshoot think about the focal length you need and then plan your lenses choice appropriately. Either way, get out there and shoot!